After the low-keyed eloquence
of last week’s Vienesse Waltz, my choice for this week will definitely raise
your heart rate.
Saturday, February 23, 2013
Saturday, February 16, 2013
Viennese Waltz
Viennese Waltz could be called the queen of ballroom
dances due to its lightness and beauty. The root of Viennese Waltz was the
traditional Austrian dance the ‘Landler’. Its origins are from the 18th
century Austrian countryside inns where due to the looser etiquette the lower
society dared to dance in such an embraced position which is now called close
hold or “waltz’ position (actfa.com). It was scandalous at first, but slowly it
reached the ballrooms of the higher society as well, where thanks to the
parquet floor the movements developed into elegance and the steps became
faster. By the musical compositions of Josef Lanner and Johann Strauss
Sr., Viennese Waltz gained popularity in the middle of the 19th
century and it is now the national dance of Austria (aboutvienna.org).
The difference between the English, or else called slow waltz, and the Viennese
Waltz is the number of beats per minute. While the slow waltz is danced in 90
beats per minute, the Viennese Waltz danced in approximately two times more;
however, they have share the one-two-three count (actfa.com). One may prefer
the Viennese Waltz because even if English waltz is more aristocratic, it is
too slow and this way it seems halting. On the contrary, Viennese Waltz feels
and looks like the dancers were floating in the air across the ballroom.
Nevertheless, on account of the speed of the dance it is harder to keep up to
the music and to move along with the partner. Another hardship is the constant
rotation of the pair, so one can easily get dizzy. This can be
sidestepped by always sticking one’s glance on one point, and the good thing is
the partners hold each other tight so there is no need to be afraid of the
possibility of falling. Although it is true that the position of the female
dancer is uncomfortable because she is leaning backward a bit, but the male
partner’s hands are always there to support the lady’s back. Moreover, who has
difficulty learning the choreography can be happy because it is just one step
and placing your other leg next to the other with a half turn.
What can be the most admirable about Viennese Waltz is
that the woman is treated like a princess. She is always in the protection of
the man’s arms, she has this beautiful dress that always follows the movement
of her body, and she only has to fly across the room like a swan. What makes
the performance more spectacular is when the whole ballroom is filled with
dancing couples and whirling dresses, and in many cases they gather into a
circle and create for example a rose by the girls being in the circle made by
the men grabbing each other’s arms and leaning back. In addition to all this,
if the music is well chosen it can be marvelous. If the classics like Josef
Lanner or the typical songs heard on every prom like “Anastasia-Once Upon a
December“ are not satisfactory one can make innovations like dancing to
Brian Adams. Due to personal experience I know that it is really breath
taking.
It is true that Viennese Waltz can seem old fashioned
for the R&B lovers and for those who would rather dance with their breasts
out. In addition to this, waltz of any kind is really not a sexually overheated
dance. However, if one is looking for beauty and tranquility Viennese Waltz is
a perfect start. Those who like to be appreciated by men and who enjoy feeling
light and floating in the lake will love dancing the queen of ballroom dances.
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